Tone-Loc? Yes, it's this kind of freestyle borrowing and reassembly that might marginalize an artist who was something less then herself fortunately, words like "less" and "marginal" mean little to Fefe Dobson. She has to move a bit faster on "Rock It Till You Drop It," a strange studio shape-shifter that strips down and urbanizes Eric Clapton's "It's in the Way That You Use It" while referencing Backstreet Boys' "I Want It That Way." It also features a cameo from. "Everything" marries the Red Hot Chili Peppers' "Under the Bridge" to Michelle Branch, but it's just Fefe making that unholy union work. She coats the couplets of bombastic pop-punk opener "Stupid Little Love Song" in layers of jaded sarcasm - just like a frowning punk rock girl would do if she had to reveal her crush to the captain of the football team. This is just one instance where Dobson's diction, dicked-over anger, and damn huge voice goose her debut past its popternative tendencies. Instead she lets them tumble, stumbling over one another in a giddy summation of the relationship's salad days. "I remember how it was when we started off/With your tattoo and your lip pierced/And the raggedy style you used to rock" - Dobson doesn't pause between these words. The histrionic kiss-off "Bye Bye Boyfriend" lurches like Tracy Bonham's "Mother Mother," whipping wildly between a headbanging chorus and shuffling, atmospheric verses. And everything the brand sets out to do now, from its new design philosophy to its sustainable mobility solutions, is done to inspire drivers.Working closely with producer Jay Levine, Fefe Dobson created a rousing debut that, despite being a highly melodic and relentlessly effective pop album, is rescued from flavor-of-the-moment dissipation by a schizophrenic rock crunch and her own attractively bad attitude. Kia’s new slogan, ‘Movement that inspires,’ reinforces how movement is at the core of human development, helping people visit new places, meet new people, and have new experiences. The brand has also removed ‘Motors’ from its name as it moves away from the traditional manufacturing-driven business model. In its new era of business, Kia is exploring products and services to improve the daily lives of its customers, expanding into emerging areas and creating innovative mobility products. The educational institution places a massive focus on land protection and sustainability - which marries well with Kia’s strategy - and also embodies the brand’s Opposites United design philosophy, centred on the dichotomies of nature and humanity, urban and rural landscapes. So, it makes perfect sense that Kia chose the Kortright Centre for Conservation as the venue for its Electric Sound event. It represents a new dawn and is a key element in communicating the brand’s Plan S strategy, which stands for Shift, and signifies Kia’s commitment to a sustainable future. The concert coincided with Kia’s transition to a new phase of business the evolution of a fresh identity for the brand.
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While Dobson wowed the crowd with her new single in addition to some classic chart-toppers, the EV6 - the fourth band member - used less than 1% of battery (one capable of up to 480 kilometres of all-electric range) to supercharge the performance. As fans watched on virtually from the comfort of home, they saw Dobson’s guitarist, Ryan Chalmers, plug into Kia’s first dedicated battery vehicle to power his electric guitar.